Painting | Art Supplies

Painting

PAINTING

ACRYLIC PAINT, MEDIUMS & SETS

GOLDEN HEAVY BODY

Contains the largest assortment of unique pigments available in 100% acrylic emulsion vehicle no fillers or extenders used; no toners or dyes included and no adulterants of any kind are added

GOLDEN FLUIDS

Highly intense; permanent colors with a thin consistency, ideal for spraying, brushing and staining.

GOLDEN HIGH FLOW

Designed for airbrushing, pen and ink refillable markers, pouring, glazing and painting. High intensity, flowing colors made with opaque and transparent pigments. They are formulated virtually clog-free utilizing 100% acrylic polymer emulsion and lightfast pigments

LIQUITEX HEAVY BODY

Professional artist colors; smooth, thick buttery consistency, oil-like performance; brush strokes and palette knife marks are retained when dry.

LIQUITEX® SOFT BODY

High pigment load, intense color; heavy cream consistency; ideal for flat, large area coverage and fine line detail; remarkably low shrinkage, remains flexible when dry.

LIQUITEX® BASICS®

Formulated for the needs of the beginning artist heavy viscosity allows for thick oil-like painting, retaining peaks and brush marks.

GOLDEN® GEL MEDIUMS

offers many ways to build and change texture

SOFT GEL Use as a base for wet blending of color or glue for collage work or just mix with color for a brilliant glaze. 8 oz jars #3010-5 Gloss
#3017-5 Semi-Gloss #3013-5 Matte

REGULAR GEL Same consistency of heavy body acrylic colors used for extending paint and regulating transparency without changing the consistency

#3020-5 8oz #3020-7 32oz Gloss#3030-5 8oz Matte

HEAVY GEL Mixed with colors to increase body.

#3070-5 8 oz Semi-Gloss

#3060-5 8 oz #3060-6 16oz #3060-7 32 oz Matte

EXTRA HEAVY GEL Thickest of Golden gels; use to increase body; excellent for holding peaks and impasto techniques.#3080-5 8 oz Gloss

HIGH SOLID GEL Similar as Extra Heavy Gels with less shrinkage and faster drying time than most gels.

#3120-5 8 oz #3120-6 16 oz Gloss
#3130-6 16 oz Matte

CLEAR GRANULAR GEL Made from clear acrylic granular solids, dries translucent, used to extend paint and add texture without altering the the color.

#3215-5 8 oz

PUMICE GEL Dries opaque, hard and gray; offers various grades of gritty textures.

#3200-5 8 oz Coarse #3205-5 8 oz Extra Coarse

SELF LEVELING CLEAR GEL Designed to produce an even film with excellent clarity; dries to a flexible, high gloss film. #3330-5 8 oz

CLEAR TAR GEL Designed to yield a pulley, tar-like feel but in a colorless gel; useful for generating fine detailed lines by "dripping" it over surfaces as it continuously flows from palette knives or other tools. #3330-5 8 oz

MOLDING PASTE Dries to a hard, opaque film that is still flexible used to build surfaces and creating textures,

#3570-5 8 oz #3570-6 16 oz #3570-7 32 oz also

LIGHT MOLDING PASTE #3575-5 8 oz

CRACKLE PASTE Thick opaque cracking material designed to develop deep fissure- like cracks as it cures.

#53557-5 8 oz

GOLDEN® FLUID MEDIUMS

Offers infinte control when modifying acrylic colors; use to control transparency,viscosity and surface sheen

AIRBRUSH MEDIUM Designed to use with GOLDEN FLUID Acrylics to gain the proper viscosity for airbrush/spray applications; decreases clogging

#3535-4 4 oz #3535-5 8 oz #3535-6 16 oz

ACRYLIC GLAZING LIQUID Designed to extend the working time of acrylics, used to slow drying glazes, thinning for Heavy Body Acrylics, increasing brush-ability and for smoother wet-in-wet blending

#3720-6 16 oz #3720-7 32 oz Gloss
#3721-6 16 oz #3721-7 32 oz Satin

POLYMER MEDIUM (GLOSS) Liquid medium useful for creating glazes extending colors, enhancing gloss and translucency and increasing film integrity.

#3510-5 8 oz #3510-6 16 oz #3510-7 32 oz

MATTE MEDIUM General purpose medium used for extending colors, decreasing gloss and increasing film integrity, can be used as a clear Gesso.
#3530-6 16 oz #3530-7 35 oz

FLUID MATTE MEDIUM Use with GOLDEN FLUID Acrylics to decrease the gloss without altering viscosity. Better sealing properties than the regular matte mediums.#3520-5 8 oz #3520-7 32 oz

SILKSCREEN MEDIUM Designed to blend with acrylic paints for silkscreen applications, increasing working time and retards paints from drying in the screen.#3690-5 8 oz

ACRYLIC FLOW RELEASE An additive used to achieve rich stains on a porous surface. #3590-5 8 oz

RETARDER An additive used to slow the drying time of acrylic paints.#3580-4 4 oz #3580-5 8 oz

GOLDEN®
SPECIAL PURPOSE ACRYLIC POLYMERS

Known as the "GAC"s (GOLDEN ARTIST COLORS) each of these (8oz) products represents a unique polymer that offers certain specific attributes

GAC 100 #3910-5 Multi-Purpose acrylic polymer; use to dilute and extend colors as well as increase flexibility and film integrity.

GAC 200 #3920-5 Promotes adhesion / film hardness and reduces dry film tack.

GAC 500 #3950-5 Extends fluid acrylics; increase leveling and decrease dry film tack

GAC 700 #3970-5 Clear sealing polymer; increases film clarity and transparency while minimizing shrinkage

GAC 900 #3990-5 Fabric painting medium; offers a very soft hand and laundering stability (when heat set properly)

GOLDEN® OPEN

GELS, MEDIUMS AND THINNERS

compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency.

OPEN ACRYLIC GEL Has a slightly softer feel than regular Gel (Gloss) and the same consistency as OPEN colors use for glazes and to extend the paints while maintaining working properties of OPEN acrylics

#3135-5 8 oz #3135-6 16 oz Gloss

#3136-5 8 oz Matte

OPEN ACRYLIC MEDIUMS Has a lower viscosity and is used to extend paint and maintain properties when a more fluid mixture is desired to increase flow.

#3725-4 4 oz #3725-5 8 oz Gloss

OPEN ACRYLIC THINNER Contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the work-ability of colors on the palette without the use of water mist and moisturizing palettes.
#3595-1 1 oz #3595-4 4 oz

GOLDEN® MIX MORE MEDIA

DIGITAL GROUND WHITE (MATTE)#3563-5 is a porous, opaque, white ground for use on a multitude of surfaces. As a porous ink-jet coating, it allows prints to dry extremely rapidly, making it an ideal starting point for the first-time user looking for the most trouble free application on a wide range of materials.

DIGITAL GROUND CLEAR (GLOSS) #3564-5 is a clear ground with a gloss sheen for use on most absorbent surfaces, allowing the underlying material to show through. The nature of this type of ink-jet receptive coating, means that prints dry more slowly.

DIGITAL GROUND FOR NON-POROUS SURFACES

#3566-5 is similar to the Clear described above but optimized for increased adhesion and performance on non-porous surfaces such as aluminum or plastic

GELTOP-COATS WITH UVLS are With the benefit of ultraviolet light filters and stabilizers, these gels provide a non-removable, water-based topcoat offering protection against fading for digital media, collage, or any material below the topcoat. In addition, these gels can be used to add texture, create a clear barrier prior to working with paint or other materials and modify sheen.#3746-5 Gloss #3747-5 Semi-Gloss

MIX MORE MEDIA SAMPLE SET

#923 Set contains 2 fl oz each of the following:

Gel Topcoat w/UVLS (Gloss) & (Semi Gloss)

Digital Ground Clear (Gloss) and Digital Ground White (Matte) Digital Ground for Non-Porous surfaces

GOLDEN® ACRYLIC VARNISH

GEL TOPCOAT WITH UVLS (ULTRA VIOLET LIGHT STABILIZERS) Thick acrylic gel mediums containing ultra violet light filters and stabilizers, protects from fading & deterioration caused by exposure to UV radiation, drys to a permanent, flexible, non-removable coating. #3746-5 8 oz Gloss #3747-5 8 oz Semi-Gloss

POLYMER VARNISH WITH UVLS Water based acrylic polymer varnish provides additional protection from ultraviolet radiation #7710-4 4 oz #7710-5 8 oz #7710-6 16 oz #7710-7 32 oz Gloss

#7715-4 4 oz #7715-5 8 oz #7715-6 16 oz Satin

#7720-4 4 oz #7720-6 16 oz Matte

MSA (MINERAL SPIRIT ACRYLIC) VARNISH WITH UVLS Dries to a tough yet flexible protective finish. as a topcoat for acrylics; it provides a harder, lower tack surface that is much less susceptible to dirt and is moisture resistant. #7730-4 4 oz #7730-5 8 oz Gloss

#7735-4 4 oz #7735-5 8 oz #7735-6 16 oz Satin

#7740-4 4 oz #7740-5 8 oz Matte

LIQUITEX® ACRYLIC VARNISH

Use to protect the painting surface from the environment and/or to change the surface sheen

ARCHIVAL PERMANENT VARNISH
(NON-REMOVABLE) For interior and exterior us; excellent leveling properties; non-yellowing; translucent when wet, dries clear. #126604 4 oz High Gloss

#6204 4 oz #6708 8 oz #6216 16 oz Gloss

#5208 8 oz #5216 16 oz #5232 32 oz Matte

ARCHIVAL REMOVABLE For interior and exterior use; excellent leveling properties; non-yellowing; clear in the wet state; can be used on oil & acrylic paintings; remove with mineral spirits or turpentine and it contains UV stabilizers. #170800 8 oz #170660 32 oz Gloss

#170426 8 oz #170805 32 oz Matte

LIQUITEX® GEL MEDIUMS

All gel mediums add body, increase "open" time, dry transparent or translucent, extend the volume of paint, hold brush or knife marks make an excellent archival adhesive for collage.

GLOSS GEL Excellent for transferring printed images. #170197 8 oz #170198 16 oz #170199 32 oz

GLOSS HEAVY GEL A very thick gel medium that extends working time and increases brilliance and transparency; mix with color to increase body and attain oil paint like consistency. #16566 8 oz #5120 16 oz

GLOSS SUPER HEAVY GEL A super thick gel for creating high peaks that will hold the shape when dry with minimal shrinkage. #7408 8 oz #7416 16 oz #7432 32 oz

MATTE GEL A thick gel that gives a translucent matte sheen when dry; great for creating collages with heavier objects. #5321 8 oz #5322 16 oz

ULTRA MATTE GEL Dries to a matte finish with no level of sheen. #16567 8 oz

SLOW-DRI® BLENDING GEL Heavy body gel extends the workable time of acrylics for easier lending.

#7208 8 oz #7216 16 oz

MODELING PASTE Used to build heavy textures on rigid surfaces; mix with acrylic color or paint over when dry; dries to a very hard stone like surface that can be sanded; carved or drilled. #5508 8 oz #5516 16 oz #5532 32 oz

LIGHT MODELING PASTE Light weight and airy; dries matte opaque white; can be mixed with acrylic color or paint over when dry; recommended for use on rigid supports to avoid cracking. #16284 8 oz #16285 16 oz #21580 32 oz

LIQUITEX® FLUID MEDIUMS

All fluid mediums increase flow, tend to self-level; dry transparent or translucent; extend the volume of thin paint; make an excellent archival adhesive for collage

GLOSS MEDIUM & VARNISH All purpose medium that can be used as a fluid gloss medium that improves adhesion of paint film and increases color depth, intensity and gloss. It can also be used as a non-removable varnish to protect the surface and establish an even gloss sheen. #2455 4 oz #2456 8 oz

#2458 16 oz #2459 32 oz #2462 Gallon

MATTE MEDIUM Used to give fluidity to delicate brushwork or as a low sheen adhesive for collage.

#5104 4 oz #5108 5 oz #2467 16 oz #5132 32 oz

GLAZING MEDIUM Dries quickly; mix with transparent color for brilliant glazes. #7504 4 oz #7508 8 oz

ULTRA MATTE MEDIUM (JARPAQUE® MATTE OPAQUE EXTENDER) Fluid with high resin solids that dries to a matte finish, used to maintain opacity and extend opaque colors to double amounts, ideal for large projects where transparency is not desired. Dries to a matte finish with no level of sheen. #2971 8 oz

SLOW-DRI® BLENDING MEDIUM Use to extend the "open" time of acrylics to really work the paint to enhance color blending.#6308 8 oz #6316 16 oz

LIQUITEX® EFFECTS MEDIUMS

A variety of specialty mediums designed to achieve various techniques, applications and special effects

POURING MEDIUM FLUID MEDIUM #5408 8 oz Designed to reduce crazing in poured applications; dries clear, glossy and flexible

FABRIC MEDIUM FLUID MEDIUM #126804 4 oz For painting directly on fabric or un primed canvas; reduces dry paint stiffness no heat setting required

IRIDESCENT MEDIUM FLUID MEDIUM #107008 8 oz Create a metallic, Pearlescent effect to acrylic colors

AIRBRUSH MEDIUM FLUID MEDIUM #5908 8 oz Pre-filtered, ready to use medium that easily thins any acrylic, watercolor or gouache to the right consistency for spray application

WHITE OPAQUE FLAKES TEXTURE GEL #7308 8 oz Similar effect of snow flakes or coconut flakes

GLASS BEADS TEXTURE GEL #6908 8 oz Clear round plastic beads; dries to a semi-gloss surface

BLENDED FIBERS TEXTURE GEL #6608 8 oz Thick opaque gel that gives the effect of flexible fibers with a matte sheen when dry

RESIN SAND TEXTURE GEL #6608 8 oz Thick course gel dries to a semi-gloss texture similar to rough cement

BLACK LAVA TEXTURE GEL #7108 8 oz Clear gel speckled with small black particles that will add an innovative dimension to paint surfaces

CERAMIC STUCCO TEXTURE GEL #6408 8 oz Thick, fine-textured gel dries to a light gray matte stucco finish and is a great absorbent ground for washes and glazing.

NATURAL SAND TEXTURE GEL #6508 8 oz Textured gel that dries to the appearance of glossy beach sand

STRING GEL MEDIUM #9108 8 oz Self leveling gel with honey-like consistency. Gently pouring will give a constant-flowing string of gel

LIQUITEX® BASICS® INTRODUCTORY SET

#101501 Six 22ml. tubes: Cadmium Yellow Medium Hue; Naphthol Crimson; Phthalocyanine Green; Ultramarine Blue; Mars Black & Titanium White

LIQUITEX® BASICS 48 ACRYLIC COLOR SET

#101048 Set contains 48 colors in .22ml tubes : Alizarin Crimson Hue, Brilliant Yellow Green, Burnt Sienna, Burnt Umber, Cadmium Orange Hue, Brilliant Yellow Green, Burnt Sienna, Burnt Umber, Cadmium Orange Hue, Dioxazine Purple, Ivory Black, Light Green permanent, Phthalo Green, Primary Blue, Primary Red, Primary Yellow, Titanium White, Cadmium Red Light Hue, Cadmium Yellow Medium Hue, Cerulean Blue Hue, Cobalt Blue Hue, Hooker's Green Hue Permanent, Phthalo Blue, Quinacridone Magenta, Raw Sienna, Raw Umber, Red Oxide, Ultramarine Blue, Yellow Oxide, Bright Aqua Green, Cadmium Red Deep Hue, Cadmium Red Medium Hue, Cadmium Yellow Deep Hue, Cadmium Yellow light Hue, Deep Green Permanent, Deep Violet, Gold, Neutral Gray Value 5, Silver, Naphthol Crimson, Mars Black, Light Blue Permanent, Light Portrait Pink, Bronze, Light Blue Violet Naples Yellow Hue, Unbleached Titanium, Brilliant Purple, Bronze Yellow and Medium Magenta

LIQUITEX®
BASICS® 24 COLORS

#101024 Twenty-four 22ml tubes of Basics® acrylic colors: Quinacridone Magenta; Alizarin Crimson Hue Permanent; Primary Red; Cadmium Red Light Hue; Cadmium Orange Hue; Red Oxide; Burnt Sienna; Burnt Umber; Raw Umber; Yellow Oxide; Cadmium Yellow Medium Hue; Primary Yellow; Light Green Permanent; Hooker's Green Hue Permanent; Phthalocyanine Green; Cerulean Blue Hue; Cobalt Blue Hue; Primary Blue; Phthalocyanine Blue (Green Shade); Ultramarine Blue; Dioxazine Purple; Ivory Black; Titanium White.

LIQUITEX® BASICS®
ACRYLIC COLOR SET

#101076 Contains six 4oz tubes including Cadmium Yellow Medium Hue; Cadmium Red medium Hue; Phthalo Green; Ultramarine Blue; Ivory Black and Titanium White plus a practical beginner's palette

LIQUITEX® BASICS PAINT IT!

#101084 This set contains 6, 22ml tubes of Liquitex Basics Acrylic artist colors: Cadmium Red Medium Hue, Cadmium Yellow Medium Hue, Cerulean Blue Hue, Raw Umber, Yellow Oxide, Deep Green Permanent, 1 75ml tube of Titanium White, 2 brushes, 1 palette knife, 1 canvas board, 1 plastic palette and a Project Booklet with step by step instructions and techniques for completing an acrylic painting.

LIQUITEX®

COMPLETE CLASSIC SET

#103204 This complete set of professional quality Liquitex Heavy Body Artist's Acrylic paints has everything necessary to begin painting at once. Includes: Eight 2 oz tubes of acrylic paint; two long handled brushes; a canvas board; one 4 oz Gloss Medium; one 4 oz Varnish; booklet on acrylic paints and instructions.

LIQUITEX®

ARTIST ACRYLIC COLOR SET

#101042 This set contains 16 essential and fun colors in. 22 ml tubes: Burnt Sienna, Burnt Umber, Naphthol Crimson, Phthalo Green(BS), Ultramarine Blue (GS), Yellow Light Hansa, Titanium White, Cerulean Blue Hue, Quinacridone Magenta, Cadmium Red Medium Hue, Cadmium Yellow Deep Hue, Mars Black, Cobalt Blue, Brilliant Purple, Light Green Permanent and Cadmium Orange Hue.

LIQUITEX® CLASSIC 12

#101038 This set contains 12 2 oz tubes Quinacridone Magenta, Cadmium Red Light Hue, Dioxazine Purple, Ivory Black, Phthalo Blue(GS), Phthalo Green (BS), Emerald Green, Bronze Yellow, Brilliant Blue, Cadmium Yellow Medium Hue and 2 tubes of Titanium White.

LIQUITEX®
INTRO TO COLOR MIXING

#103203 This set contains 6, 2 oz tubes: Yellow Medium Azo, Quinacridone Crimson, Phthalo Blue (GS), transparent Mixing White, Ivory Black and Titanium White.

LIQUITEX®
CLASSIC BEGINNER 6

#101070 Six .75oz tubes of Heavy Body Acrylic colors: Burnt Sienna; Cadmium Yellow Medium Hue; Phthalocyanine Green (Blue Shade); Naphthol Crimson; Ultramarine Blue (Green Shade) and Titanium White

LIQUITEX® CLASSIC 8

#121804 Eight 2oz jars of Liquitex® Soft Body acrylic colors: Dioxazine Purple; Ivory Black; Naphthol Crimson, Emerald Green; Cadmium Yellow Medium Hue;Titanium White; Phthallo Blue (Green Shade) and Cadmium Orange Hue

OIL PAINT, MEDIUMS & SETS

REMBRANDT®

Tested for brilliance, fineness, drying time, elasticty and surface adhesion which ensures the artist of professional quality in every 40m tube

GRUMBACHER® PRE-TESTED®

Professional rage of oil colors containing the finest pigments the world can offer and milled in select alkali-refined linseed oil resulting in optimal color development, high chroma, superior tinting strength, excellent adhesion, outstanding working properties and archival quality

GAMBLIN®

Artists' grade of colors made with pure pigments and the finest linseed oil

WINSOR & NEWTON™

With over 170 years of manufacturing and quality control expertise, the formulation of Artist's oil Color ensures the best raw materials are made into the Worlds Finest colors

WINSOR & NEWTON™WINTON

Winton has a high level of pigmentation which provides good covering power and is stronger than many artists' quality ranges; the formulation manufacture and quality control ensure Winton is a product of absolute excellence

GAMBLIN® OIL MEDIUMS

COLD PRESS LINSEED OIL Use to thin oil colors increase brilliance and transparency.#07002 2 oz #07008 8 oz

COLD WAX MEDIUM (BEESWAX) Reduce gloss in any medium. #03004 4 oz #03016 16 oz

WAX PASTILLES Naturally white, unbleached beeswax used as a binder for encaustic painting or as a wax medium. #03001 16 oz

GALKYD GEL MEDIUM Create transparent impasto, hold marks and brush strokes, apply in multiple layers. #01500 150 ml

GALKYD LITE Made from alkyd resin and has a lower viscosity and gloss than Galkyd Medium. #02002 2 oz #02008 8 oz #02016 1 oz

GALKYD MEDIUM Thins oil color for painting and glazing while speeding drying time. #01002 2 oz #01008 8 oz #01016 16 oz #01032 32 oz

GALKYD SLOW DRY Formulated to have strength and flexibility & to keep the surface of oil painting open for three days #02502 2 oz #02508 8 oz #02516 16 oz

NEO MEGILP Gives body to paint, decreases viscosity and can produce a luminous atmosphere.

#03502 2 oz #03508 8 oz

POPPY OIL Slows down drying time. #08088 8 oz

REFINED LINSEED OIL Use to thin oil colors; increase brilliance. #06002 2 oz #06008 8 oz #06016 16 oz

STAND OIL Linseed oil that has been polymerized by heating is thicker than cold pressed refined oils, almost no tendency to yellow; non-toxic and useful for glazing and helps eliminate brush marks. #08008 8 oz

RABBIT SKIN GLUE Traditional size for fabric support on panes, seals porous fabric and isolates it form ground or oil paints. #01200

PVA SIZING Tightens and seals the porous surfaces of fabric support. #01308 8 oz #01332 32 oz

GAMSOL Solvent and medium for general oil painting; excellent studio and brush cleaner. #00095 2 oz #00090 16 oz #00092 32 oz #00099 Gallon

GRUMBACHER® OIL MEDIUMS

ALKYD PAINTING MEDIUM A non-yellowing oil and alkyd painting medium; accelerates drying and enhances flow. #580-2 2.5 oz

COBALT DRIER An additive, speeds drying of oil colors and oil painting mediums. #207348 2 oz

COPAL PAINTING MEDIUM Accelerates drying; improves flow and increases gloss. #587-2 2.5 oz

JAPAN DRIER A reliable alkyd resin based additive; ideal for oil gilding. #557-2 2.5 oz

LINSEED OIL Finest quality purified alkali refined linseed oil for use with artists' oil colors. Improves flow, increases gloss.#558-2 2.5 oz #558-8 8 oz

OIL PAINT MEDIUM III (RAPID DRY) A classic, traditional formulation that accelerates the drying time of oil colors its is especially effective in reducing the drying time of slow drying colors such as Alizarin Crimson and the Cadmium colors. #577-2 2.5 oz

PALE DRYING OIL A safe, non-toxic fast drying painting medium intended for artisans, hobbyist and decorative painter. Reduces the consistency of tube oil colors and accelerates drying time. #554-2 2.5 oz

POPPY SEED OIL Retards drying of rapid drying colors, improves flow. Excellent color retention, does not yellow. #562-2 2.5 oz

STAND OIL High- viscosity, non-yellowing oil painting medium improves fluidty of paint and dry paint film flexibility; assists in smoothing out brush stokes.#566-2 2.5 oz

PICTURE VARNISH A final varnish for oil and acrylic painting enriches the appearance of completed painting, low gloss. #550-2 2.5 oz

RETOUCH VARNISH An intermediate varnish for unfinished oil painting. Restores gloss #563-2 2.5 oz

DAMAR VARNISH A high gloss final varnish for oil painting; deepens and enriches completed painting. #569-2 2.5 oz

MATTE VARNISH A final varnish for oil paintings provides a uniformly matte surface. #570-2 2.5 oz

GRUMTINE™ Organic solvent and thinner for artists' oil color. #538-2 2.5 oz

PRE-TESTED® ODORLESS THINNER

Virtually odorless, crystal clear, mild organic solvent for thinning oil colors or certain varnishes; cleaning brushes and painting accessories.#565-8 8 oz

TURPENTINE Traditional artist thinner for color, oils and varnishes; improves flow dissolves wet color easily and evaporates rapidly.

#568-2 2.5 oz #568-8 8 oz #568-32 32 oz

WINSOR & NEWTON™ OIL MEDIUMS

ARTIST'S PICTURE CLEANER Cleans soiled oil paintings. #3222974 75 ml

LIQUIN ORIGINAL A general purpose low gloss medium which improves flow and transparency; mixes easily with brush or knife; smooths brushwork.

#3222991 75 ml #3240991 250 ml

#35209991 500 ml #3254991 1 liter

LIQUIN FINE DETAIL Speeds drying; Suitable for fine detail #3221752 8 oz

LINSEED STAND OIL Improves flow of oil colours, excellent brush strokes, slows drying and gives a tough elastic, pale film. #3222958 75 ml #3240958 250 ml #3250958 500 ml

REFINED LINSEED OIL Alkali refined linseed oil; increases gloss, flow and transparency of oil colours, slows drying.#3222956 75 ml #3240956 250 ml #3250956 500 ml

THICKENED LINSEED STAND Increases gloss, flow and transparency of oil colours; reduces brush marks; faster drying than Refined or Bleached Linseed #3222950 75 ml

DAMMAR VARNISH Traditional high gloss varnish; removable. #3222985 75 ml #3240985 250 ml #3250985 500 ml

ARTISTS' RETOUCHING VARNISH A clear liquid varnish dries to a non-yellowing, glossy film. Gives temporary protection #3222979 75 ml

#3240979 250 ml #3250979 500 ml

WINSOR & NEWTON™ ARTISAN™

WATER MIXABLE OIL MEDIUMS

FAST DRYING MEDIUM Improves flow and speeds drying of Artisan Oil Colours; smooths brush work and increases transparency. #3022840 75 ml

LINSEED OIL Reduces consistency and improves flow of Artisan Oil Colours; increases gloss and transparency. #3022841 75 ml

OIL PAINTING MEDIUM Reduces consistency of Artisan Oil Colours and aids in fine detail.

#3022843 75 ml

GAMBLIN® SOLVENT-FREE GEL

#01600 The only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise in terms of color, drying time, texture and mark making. Gel gives colors more gloss, flow and transparency, yet holds the shape of your brushstrokes. It has a moderately fast drying rate. made from saffloweroil and alkyd resin, it is non-toxic and contains no Gamsol or petroleum distillates. 150 ml tube

WEBER® RES-N-GEL

Oil painting medium, synthetic resin gel for transparent full bodied colors.
#2761 150 ml

WEBER® PERMALBA

Concentrated pigment, heavy bodied professional artists' oil paints. For a soft bodied mixing or painting white.#233102 150 ml

DORLAND'S WAX MEDIUM

A non-yellowing wax resin mixture that strengthens oil paint film from cracking while sealing out moisture, air and dirt. #667514 4 oz #224190 16 oz

BOB ROSS
LIQUID WHITE OIL PAINT

A very slow drying oil paint designed to provide a proper painting surface.Liquid White is also used to thin other oil color for application over thicker paint. #R6207 8oz #R6214 16oz

WEBER® TURPENOID®

An odorless, water clear mixture of petroleum distillates use as a cleaner for oil painting, brushes, other tools & accessories.#233104 4oz #233105 8oz #233106 16oz #233107 32oz

#233108 Gallon

WEBER®
TURPENOID® NATURAL®

Non-toxic, non-flammable oil paint cleaner and brush conditioners for artists seeking safer choices to enjoy the pleasures of oil painting.

#WA1811 4 oz #WA181 28 oz
#WA1813 16 oz #WA1814 32 oz

GRUMBACHER PRE-TESTED

#P1030G 10x 24ml tubes of color: Alizarin Crimson , Grumbacher red, Yellow Ochre, Bismuth Yellow, Thalo Green (BS) Thalo Blue, Burnt Umber, Burnt Sienna, Ivory Black, Titanium White.

WINSOR & NEWTON™
ARTISAN STARTER

#1590264 Contains six 21 ml tubes of Artisan Water Mixable oil Colours: Cadmium Yellow Pale Hue, Permanent Alizarin Crimson, French ultramarine, Phthalo Green (Blue Shade), Yellow Ochre and Titanium White.

WATERCOLOR, MEDIUMS & SETS

DANIEL SMITH
EXTRA FINE WATERCOLORS

Highly pigmented finely ground Watercolors, excellent brushing properties, resulting in clear, clean washes even when colors are layered.

GOLDEN® QoR®

MODERN WATERCOLORS

The unique formulation of QoR watercolors accentuates the luminosity and brilliance of pigments even after drying. QoR provides the subtlety, transparency and flow of a great watercolor, with colors that have as much vibrancy and fire as the best acrylic or oil paint.

WINSOR & NEWTON® ARTIST'S WATER COLOURS

Maximum pigment content consistent with good handling qualities, achieving the highest possible tinting strength quality and reliability 5 & 14 ml Tubes

GRUMBACHER® ACADEMY

Features traditional ingredients, time-tested formulas, careful manufacturing and attention to quality. .25 oz Tubes

GRAFIX INCREDIBLE WHITE

MASK LIQUID FRISKET

Use with all water-based media to protect detail areas. Quick drying, non-staining and easy to remove Available #5235 2oz #18988 4.5oz #18989 8.5 oz

GRUMBACHER®
MISKET LIQUID FRISKET

Lightly tinted Liquid Frisket natural latex rubber -based emulsion applied by brushing on and removed with an eraser; rubber cement pick-up or a ball of dried Misket. #207382 1.5 oz

GOLDEN® QoR® MODERN WATERCOLOR MEDIUMS

SYNTHETIC OX GAL 59 ml
#7001000-2 a wetting agent that improves the flow of watercolors,

WATERCOLOR MEDIUM 59 ml

#7001500-2 A general purpose medium use to increase the transparency and flow of watercolors. When used in larger amounts it also increases the gloss and saturation of colors

LIFT AID™ 118 ml

#7001550-4 A fluid medium to improve the lifting of watercolors from its surface

WATERCOLOR GROUND 237 ml

#7002000-5 Dries to a lightfast, flexible surface that withstands repeated lifting and scrubbing, creates an absorbent surface that allow for soft edges and flowing wet-in-wet techniques.
LT. DIMENSIONAL GROUND 237 ml
#7002000-5 A white lightweight paste which becomes an extremely
absorbent surface that allows washes to spread quickly, while accommodating fine lines and detail as well.

COLD PRESS GROUND 237 ml

#7002020-5 Dries to a unique rough surface allowing for interesting lifting effects that you can't get with traditional paper surfaces

WINSOR & NEWTON® WATER COLOUR MEDIUMS

AQUAPASTO 60 ml
#3219758 Translucent gel medium that enables water-based colors to be applied in an impasto style.

ART MASKING FLUID 75 ml
#3222902 Composed of rubber latex and pigment; for masking areas of work needing protection when colour is applied.

COLOURLESS ART MASKING FLUID 75 ml
#3222904 Colourless liquid for masking areas of work needing protection when colour is applied in broad washes; specifically designed for soft sized papers to avoid staining.

GRANULATION MEDIUM 75 ml
#3222904 Gives a mottled or granular appearance to colours which usually give a smooth wash, such as Winsor Red or Winsor Blue. Adding Granulation Medium to colours that already granulate; such as Viridian or French Ultramarine will enhance the effect.

GUM ARABIC 75 ml
#3229061 A Pale colored solution that increase the gloss and transparency of water color can be thinned with water.

IRIDESCENT MEDIUM 75 ml
#3022865 Gives pearlescent or glitter effects to your Watercolors. It can be mixed directly with Water colours or applied over a dried wash

OX GALL LIQUID 75 ml
#3222909 A wetting agent used to improve flow when mixed directly with water colours. It can also be used on very hard sized papers to reduce surface tension.

QOR INTRODUCTORY 12 SET

#7000010-10 Twelve - 5 ml tubes - featuring: Nickel Azo Yellow, Hansa Yellow Light, Quinacridone Gold Deep, Quinacridone Magenta, Permanent Alizarin Crimson, Pyrrole Red Light, Phthalo Blue (Green Shade), Ultramarine Blue, Viridian Green, Burnt Sienna (Natural), Paynes Gray, Yellow Ochre (Natural)

QOR INTRODUCTORY 6 SET

#7000001-0 Six - 5 ml Tubes - featuring: Hansa Yellow Light, Phthalo Blue (GS), Ultramarine Blue, Pyrrole Red Light, Permanent Alizarin Crimson, Burnt Sienna (Natural).

EARTH COLORS 6 SET

#7000002-0 Six - 5 ml tubes - featuring: Naples Yellow, Transparent Brown Oxide, Venetian Red, Sap Green, Indigo, and Raw Umber (Natural).

QOR HIGH CHROMA 6 ST

#7000003-0 Six- 5 ml tubes - featuring: Cobalt Teal, Green Gold, Quinacridone Gold, Transparent Pyrrole Orange, Quinacridone Magenta, and Dioxazine Purple.

SAKURA KOI WATERCOLORS™

POCKET FIELD SKETCH BOX

#XNCW-24N24 color postcard size Pocket Field Sketch Box contains: a detachable medium brush tip, large size water reservoir barrel; two dabbing sponges; snap lid (acts as an easel for postcard size paper), detachable pegged palette secures to sketch box; pull down ring on base allows easy gripping.

SAKURA KOI WATERCOLORS™

Smooth and creamy instant response to water, pigments used gives an outstanding vibrant color and professional results. 12ml a tube. #15261 12 pc #15262 18 pc

WINSOR & NEWTON™ COTMAN™ WATER COLOURS

#0390636 12 TUB SET Twelve 8ml tubes of Cotman™ Water Color

WINSOR & NEWTON™
COTMAN™ WATER COLOURS

#9333 SKETCHER'S POCKET BOX SET

Conveniently small, this set consists of a sturdy, plastic box containing a pocket Scepter brush and 12 half-pans of color: Cadmium Yellow Pale Hue, Ultramarine, Yellow Ochre, Cadmium Yellow Hue, Cobalt Blue Hue, Burnt Sienna, Cadmium Red Pale Hue, Sap Green, Burnt umber, Alizarin Crimson, Viridian Hue and Chinese White.

WINSOR & NEWTON™

COTMAN™ WATER COLOURS
#0390083 COMPACT SET Pocket-sized plastic box with white integral palette, detachable lid for easy cleaning, detachable sliding palette, mediums dish, thumb hole, one brush; storage space for half and whole pans (color) and 14 half pans of color: Lemon Yellow, Cadmium Yellow Hue, Ultramarine, Cerulean Blue Hue, Yellow Ochre, Burnt Sienna, 2 Cadmium Red Hue, Alizarin Crimson Hue, Purple Lake, Viridian Hue, Sap Green, Burnt Umber and Chinese White.

WINSOR & NEWTON™ COTMAN™ WATER COLOURS

#0390374 FIELD PLUS Integral mixing palette, slide out trays for extended mixing, 60ml capacity water bottle, 2 clip on pots, thumb hole, unique PLUS cartridge for water colour pans (3) Cotman pocket brush and 12 half pans of color: Cadmium Yellow Pale Hue, Ultramarine, Yellow Ochre, Cadmium Yellow Hue, Cobalt Blue Hue, Burnt Sienna, Cadmium Red Pale Hue, Sap Green, Burnt umber, Alizarin Crimson, Viridian Hue and Chinese White.

WINSOR & NEWTON™ COTMAN™ WATER COLOURS #0390373 POCKET PLUS Clip-on palette, internal palette inside of lid for extra mixing, thumb loop, unique PLUS cartridge for water color pans (3) Cotman pocket brush and 12 half pans of color: Cadmium Yellow Pale Hue, Ultramarine, Yellow Ochre, Cadmium Yellow Hue, Cobalt Blue Hue, Burnt Sienna, Cadmium Red Pale Hue, Sap Green, Burnt umber, Alizarin Crimson, Viridian Hue and Chinese White.

PENTEL ARTS WATERCOLOR

Blends easily, dries evenly, resists fading and will not crack or flake. Plastic tubes allow every last drop of paint to be used

#WFRS-24 24 colors #WFRS-18 18 colors #WFRS-12 12 colors

KOH-I-NOOR®

WATERCOLOR WHEEL

#FA171506 Twenty-four brilliant pans of watercolor are neatly stacked in four interlocking trays. The trays are topped with a crystal clear plastic lid/palette.

ART ADVANTAGE

WATERCOLOR PAINT SET

#ART-3012 Twelve vibrant watercolors in a handy compact with two interlocking, stacking trays 3¼" diameter compact has a clear plastic lid that can be used as a palette.

ENCAUSTICS & TEMPERA PAINTS

ENKAUSTIKOS HOT CAKES

Professional encaustic paint in a ready to use convenient refillable metal tin.

ENKAUSTIKOS WAX MEDIUM

Versatile product for encaustic artists use as a base coat, top coat and in glazing techniques. #02306-2 1.5oz.

#06306-6 6oz.

ENKAUSTIKOS SLICK WAX

#06640-6 6oz. Unique synthetic wax for cleaning brushes, tools and palette between encaustic color changes. Essential for encaustic painting

BESTEMP LIQUID TEMPERA

Excellent adhesive properties, dries to a semi waterproof finish and allow over painting without lifting original color areas. Washes up with soap and water

SPRAY PAINT & SPRAY FINISHES

MONTANA GOLD

Highest quality professional artist spray paint for interior and exterior use. Low pressure can gives superb control for fine detail work. Acrylic base, high coverage, quick drying matte finish, totally flexible which is optimal for working on canvas

MONTANA BLACK

High quality spray paint for interior and exterior use. High pressure can for faster painting onto larger surface areas. Rapid drying time for fast layering, high pigmentation, matte finish and superb coverage

MONTANA ULTRA WIDE

For contemporary urbane calligraphy and ultra wide line work. Maximize vertical stroke application with a higher vertical spray. #UW750-BLK Black

#UW750-CRM Chrome

UNIVERSAL PRIMER

#T2300 Pre-treatment for multiple surfaces. Enables excellent adhesion and further coating of synthetic, nitro-combination or acrylic spray paints. Universal Primer works on leather, card boards, wood and many other materials, Use primers for efficient and more permanent results.

PLASTIC PRIMER

#T2000 Pre-treatment for plastic surfaces to be painted with Montana sprays. Can be used on Polypropylene Rubber, Glass-Fiber Reinforced Plastics, Hard PVC Polyurethane, Polystyrene and Polyamide.

POLYSTYRENE PRIMER

#T2200 For Polystyrene surfaces. Primer seals styro foam (by multiple thin even coats) which makes varnishing possible.

METAL PRIMER

#T2400 Quick drying primer perfect pre-treatment of metal surfaces.

PAINT REMOVER

#RM400 Pollution free etching spray dissolves and removes lacquers quickly and thoroughly.

VARNISH

Acid free, quick drying, acrylic base varnish.No yellowing. For interior and exterior use. Protects and fixes painted surfaces. Available in

#T1000 Gloss #T1010 Matte

SPRAY CAPS

Endless possibilities. Spray Caps provides thin to fat outputs and other line effects

GLOVES

Perfect reusable protection gloves made of anthracite woven nylon with a polyurethane coating for a better grip.

#G336591 Medium #G336607 Large

UV ARCHIVAL VARNISH
KRYLON GALLERY SERIES

Advance non-yellowing protection against fading, dirt moisture and discoloration; contains superior levels of UV light absorbers and stabilizers, protects acrylic, watercolors, oil pastels, colored pencils and more

#1378 Matte #1377 Satin

#1375 Gloss #1376 Semi-Gloss

FINE ART FIXATIVE

KRYLON GALLERY SERIES

#1374 Invisible protection of artwork without dissolving whites and lights, contains UV light absorbers and stabilizers. Provides both workable and final protection for pastel, charcoal, pencil and chalk.

CONSERVATION

KRYLON GALLERY SERIES

#1372 Retouch varnish. Temporarily restores gloss of fresh wet oil paints

KRYLON CRYSTAL CLEAR

#206122 Prevents smudging and fading. It dries in minutes, stays clear and is water-resistant. It creates a permanent protective coating with a glossy plastic finish

KRYLON MATTE FINISH

#206121 Permanent, protective matte finish, eliminates glossy sheen, non-yellowing, moisture resistant, dries in minutes

KRYLON "TRIPLE THICK"
CRYSTAL CLEAR GLAZE

#19025 Offers a bright, clear coating that gives the illusion of depth with a flexible acrylic formula that won't crack like lacquer

KRYLON UV-RESISTANT

Provides a permanent, protective gloss coating which protects art, crafts and valuables against fading caused by harmful UV light rays

#13432 Matte

#206120 Gloss

KRYLON WORKABLE FIXATIF

#206123 This clear, matte fixative is easy to work with; dries in seconds and doesn't wrinkle, smudge or smear; gives lasting protection to pencil, charcoal and chalk yet erases easily.

KRYLON KAMAR VARNISH

#414116 Provides clear, lasting protection for oil, acrylic and water-based paints. Its free of the impurities found in natural varnish, so it will not yellow with age. It allows reworking of the painting and it can be safely removed by conservations for restoration

BLAIR® SPRAY CLEAR GLOSS

#153107 Create a clear, super-hard, permanent barrier that protects your artwork against stains, moisture and environmental pollutants,

BLAIR® SPRAY FIX

#153104 Workable matte fixative offers smudge proof protection for pencil, charcoal, pastel and chalk and stops bleeding between layers of tempera, casein and watercolors

BLAIR®
SPRAY FIX (VERY LOW ODOR)

#153105 Low odor formula performs just like the original with very low to no noticeable odor

BLAIR® SPRAY VAR

#153111 100% pure damar varnish in a spray form. This makes it possible to apply a thin, uniform film over finished oil paintings. Blair spray

BLAIR® RETOUCH SPRAY VAR

#153110 100%pure retouch damar varnish for oil paintings

GRUMBACHER®

ACRYLIC PAINTING VARNISH

#207388 A crystal clear varnish, especially formulated to give finished acrylic paintings a high gloss

GRUMBACHER®
PICTURE & OIL VARNISH

#207381 a resin based varnish for both oil and acrylic paintings; removable; transparent, crystal clear and non-yellowing increases the beauty of color while providing a durable film for protection.

GRUMBACHER®
DAMAR VARNISH

#207386 Final varnish for oil paintings; transparent and colorless when applied, it brings out the beauty of colors with a soft gloss

GRUMBACHER® DAMAR

RETOUCH VARNISH

#207385 Protects oil paintings while drying and brightens sunken in colors for further work, transparent and quick-drying gloss finish

WINSOR & NEWTON

ARTISTS' PICTURE VARNISH

#22417 A non-yellowing removable varnish with a matt finish for the protection of oil, alkyd and acrylic paintings

GOLDEN ARCHIVAL VARNISH

Mineral Spirit Acrylic Aerosol.A protective finish for fine artworks, removable for conservation purposes, offers good dirt, dust and moisture resistance in a flexible film Contains ultra Violet Light filters and stabilizers providing archival protection, reducing light damage
#7731-X Gloss #1136-X Satin

PAINTING SURFACE (CANVAS)

ALABAMA (STYLE 1080)

Acrylic Primed 100% Cotton canvas Light weight with pronounced texture. Sold by

#223206 54" x 6yd Roll

DALLAS (STYLE 1096)
Acrylic Primed 100% Cotton canvas medium weight uniform, medium texture

#223213 64.5" x 6 yds

DIXIE (STYLE 123)

Acrylic Primed 100% Cotton canvas. Heavy weight with substantial tooth & texture.
#223215 72" x 6yds #223115 Ft
#223263 54" x 6yds #667699 Ft

KNICKERBOCKER(STYLE 1057)

Acrylic Primed 100% Cotton canvas Smooth, light weight with fine texture.

#223216 60" x 6yds Roll

SARASOTA (STYLE 582)

Acrylic Primed 100% pure, fine linen made of wet spun tow yarns . Fine waves suitable for portrait

#223269 54" x 3yds

TARA (STYLE 2044)

Acrylic Primed 100% Cotton canvas Medium texture for all media types.

#223200 53" x 6yds Roll #223107 Foot

TYRON (STYLE 1047)

Acrylic Primed 100% Cotton canvas. Even texture, excellent quality and strength.
#223266 60" x 6yds Roll #223166 Ft

YANKEE (STYLE 1015)

Acrylic Primed 100% Cotton canvas Med. weight & texture, excellent tooth, great for light weight murals & larger paintings.

#223202 73" x 6yds #223102 Ft

ULTRA SMOOTH (STYLE 1098)
Triple acrylic primed medium weight blended Polyflax /cotton smooth & even surface for portraits & detail work

#223217 57" x 6 yds

MEDIUM WEIGHT UNPRIMED

100% Cotton canvas medium weight 7oz

#223212 53" x 6yds Roll #223113 Ft

#223218 62" x 6yds Roll #223127 Ft

#223214 75" x 6yds Roll #223114 Ft

HEAVY WEIGHT UNPRIMED
100% Cotton canvas. Very close constructed heavy weight 12oz
#223219 54" x 6yds Roll #223270 Ft

FREDRIX® STANDARD STRETCHER BARS

Tongue and groove design, tapered

lip for maximum clearance; smooth

and tight fit. Available sizes:

#6008 8" #6009 9" #6010 10"

#6011 11" #6012 12" #6014 14"
#6015 15" #601616"#6018 18"
#602020"#602222"#6024 24"
#6026 26" #6027 27"#602828"
#6030 30" #6032 32" #603434"
#6036 36" #6038 38" #604040"
#6042 42" #604444" #604646"
#6048 48" #6050 50"

FREDRIX®GALLERYWRAP

STRETCHER BARS

Tongue and grove design for a smooth and tight fit, a gradually tapered lip for maximum clearance. Available sizes:

#6808 08" #6809 09" #6810 10"

#6811 11" #6812 12" #6816 16"
#6818 18" #6820 20" #6822 22"

#6824 24" #6828 28" #6830 30"

#6832 32" #6836 36" #6840 40"

#6842 42" #6844 44" #6848 48"

#6850 50" #6854 54" #6860 60"

#6872 72"

FREDRIX®HEAVY DUTY STRETCHER BARS

Tongue and groove design for a smooth and tight fit with a full half inch tapered lip for maximum clearance.

#6118 18" #6120 20" #6124 24"

#6130 30" #6132 32" #6136 36"

#6140 40" #6144 44" #6148 48"

#6154 54" #6160 60" #6164 64"

#6168 68" #6172 72"

FREDRIX®
PREMIER CANVAS PLIERS

#7401 Made of chrome finished metal with rubberized handles and a non-slip rubberized jaw

FREDRIX®CANVAS PLIERS

#7400 Made from a chromium plated metal with a spring return handle.

SUREBONDER®
LIGHT DUTY STAPLE GUN

#5580 Easy squeeze, drop in loading metal construction.

MASTERPIECE®TIGHT 'N' UP™

#9871 Easily restores tension to loose stretched canvas without needing to re-stretch

FREDRIX® GALLERY WRAP

Pure cotton duck canvas with a medium tooth mounted to double thick heavy duty stretcher strips stapled on the back.

#50720 5"x 5" #50740 8" x 8"

#5073 5"x 7" #5075 8" x 10"

#5076 9"x 12" #50760 10"x 10"

#5070 10"x 20" #5077 11"x 14"

#50770 12"x 12" #5078 12"x 16"

#5100 12"x 24" #5081 12"x 36" #5079 14"x 18" #50830 16"x 16" #5084 16"x 20" #5085 18"x 24" #50850 20"x 20" #50850 20"x 22"

#5086 20"x 24" #5087 22"x 28" #50870 24"x 24" #5088 24"x 30"

#5090 24"x 36 #5091 24"x 48"

#50920 30"x 30" #5093 30"x 40" #5080 36"x 36" #5083 36"x 60"

#5082 36"x 48" #5092 48"x 60"

#5089 48"x 48"

FREDRIX® RED LABEL

Fine quality pure cotton duck canvas double primed with acid free acrylic

#5004 4" x 5"   #5007 5" x 7"
#5009 6" x 9"   #5010 6"x 12"
#50452 8"x 8"   #5012 8"x 10"

#5013 8" x 16" #5014 9" x 12"

#5015 10"x 14" #5016 10" x 20"

#5017 11"x 14" #5054 12"x 12"

#5018 12"x 16" #5019 12"x 24"

#5020 14"x 18" #5021 15"x 30"

#5022 16"x 20" #5024 18"x 36"

#5055 18"x 18 #50231 18"x 24"

#5025 20"x 24" #5026 20"x 30"

#5027 22"x 28" #5029 24"x 24" #5030 24"x 24" #5030 24"x 30" #5031 24"x 36" #5032 24"x 48" #5034 30"x 30" #5036 30"x 40" #5037 30"x 48" #5039 36"x 36"

#5040 36"x 48"

FREDRIX® BLUE LABEL

The smoothest working surface; acid free sizing primed with a universal ground that works with oils, alkyds and acrylics; ideal for detailing of portraiture.

#5601 8" x 10" #5602 9" x 12"

#5603 10"x 14" #5604 11"x 14"
#5605 12"x 16" #5617 12"x 24"

#5606 14"x 18" #5618 15"x 30"
#5607 16"x 20" #5608 18"x 24"

#5609 20"x 24" #5610 22"x 28"

#5611 24"x 30" #5612 24"x 36"
#5613 30"x 40" #5614 36"x 48"

FREDRIX®
PRO SERIES BELGIAN LINEN
STANDARD BAR- 7/8”

Professional quality, pre stretched canvases feature the finest, 5.5 oz pure Belgian linen, primed with acid free acrylic gesso to a finished weight of 11 oz, perfect for oil, acrylic and alkyd paints. #49303 11"x 14"

#49304 12"x 16" #49306 16"x 20"

FREDRIX®

PRO SERIES BELGIAN LINEN GALLERYWRAP BAR-1-3/8”

#49406 16"x 20" #49407 18"x 24"

ART ALTERNATIVE BLACK ARTIST CANVAS

Unbleached 5 oz cotton duck is primed with acid free black acrylic gesso to a finished weight of 8 oz. Stretched around and back stapled to kiln dried solid pine stretcher bars. Available in two profiles; Studio -3/4” and Gallery -1-3/8”

#AA5200 4” x 4” #AA5202 8” x 10” #AA5204 10” x 10” #AA5205 11” x 14” #AA5206 12” x 12” #AA5209 16” x 20” #AA5210 18” x 24” #AA5224 10” x 10” #AA5226 12” x 12”

ART ALTERNATIVES
CRADLED WOOD PANELS

4mm sanded birch plywood panels mounted on a solid pine cradle. More durable than canvas, smooth, strong surface; great for painting, palette knife work, mounting, encaustic and mixed media; as well as for craft use as a shadow box, frame or tray

FREDRIX® CANVAS PANELS

Acid free acrylic titanium primed artist canvas mounted on heavy

board completely turned and glued to prevent separation. Available sizes:

#3004 5" x 7" #3008 8" x 10"
#3010 9" x 12" #3011 10"x14"

#3013 11"x14" #3014 12"x16"

#3016 14"x18" #3018 16"x20"

#3019 18"x24" #3020 20"x24"
#3022 22"x28" #3223 24"x30"

#3224 24"x36"

AMPERSAND®
SCRATCHBOARD™

Clay coated hardboard panel coated with India ink. Available sizes:

#20793 5" x 7"(3 pk) #20794 8" x 10"

AMPERSAND® GESSOBORD™

Thick acrylic polymer gesso ground has been sanded to an exceptional finish for a perfectly hand-crafted Gessobord. Surface is pH neutral and acid free.

#GBS05 5"x 7"(3 pk) #GBS08 8"x 10" #GBS09 9 x 12" #GBS11 11"x 14" #GBS16 16"x 20"

AMPERSAND® AQUABORD™

A clay coated hardboard multimedia panel, comparable to watercolor paper, simulates the absorbency and texture of cold pressed. Available sizes:

#CBT05 5"x 7"(3 pk) #CBT08 8"x 10" #CBT09 9"x 12" #CBT11 11"x 14" #CBT16 16"x 20"

AMPERSAND® PASTELBORD™

Clay and gesso coated harboard panel with a granular marble dust finish comparable to a sanded pastel paper; coating is pH neutral and non yellowing.

#AMPBS11 11”x 14”
#AMPBS16 16”x 20” (Sand)
#AMPB11 11” x 14”
#AMPB16 16” x 20” (Gray)

FREDRIX®REAL CANVAS PADS

Acid free acrylic titanium primed good for practice yet suitable for permanent work.

#11461 9" x 12" #11462 12" x 16"

#17924 16" x 20" #17925 18" x 24"

STRATHMORE®400 SERIES

ACRYLIC PAPER PAD

10 sheets acid free heavyweight linen finish acrylic paper tape bound.

#403-106 6" x 12" #430-9 9" x 12"

STRATHMORE®300 SERIES CANVAS PAPER PAD

A canvas textured paper for practicing techniques with oils and acrylics.
#310-106 6" x 12"

ARCHES®
OIL PAINTING PAPER PADS

#200006578 9” x 12” 100% cotton, 140lb paper formulated for use with oil media, requires no preparation

ITTY BITTIES CANVAS

#AA10102 2” x 2 ¾”

#AA10104 2” x 4”

#AA10106 3” x 3”

#AA10118 3” x 3”

#AA10118 3” x 3” Black

MINI CANVAS & FRAME SETS
#AA10132 Primed cotton canvas
2½” x 3½” solid wood stretchers

Solid pine frame 3¼” x 4¼”

#AA10130 Primed cotton canvas
3” x 3” solid wood stretchers

Solid pine frame 3½” x 3½”

Natural hand sanded finish

MINI CANVAS & FRAME SETS

#AA10133 Primed cotton canvas
2½” x 3½” solid wood stretchers

Solid pine frame 3¼” x 4¼”

#AA10131 Primed cotton canvas
3” x 3” solid wood stretchers

Solid pine frame 3½” x 3½”

Matte black finish

EASELS/STUDIO

MO6 MABEF®

GRANDE STUDIO EASEL

has an extendable center pole which locks in position for use with canvases up to 94 ½" and holds up to 40 lbs. Large storage tray and sturdy base with four castors

M09 MABEF®

BASIC STUDIO EASEL

pole and canvas are locked in the desired position use with canvases up to 45 1/4" and holds up to 22 lbs. convenient storage tray

M10 MABEF® STUDIO EASEL

pole and canvas can be locked in desired position use with canvases up to 42 ½” holds up to 20 lbs

M11 MABEF®

INCLINABLE LYRE EASEL

inclinable angle adjustment allowing canvas to slant forward up to 15". Shelf for paints sliding canvas supports up to 41 3/8" up to 15 lbs

M13 MABEF®

BASIC LYRE EASEL

anti vibration inner spring features sliding canvas supports up to

34 ½” up to 11 lbs.

M20 MABEF®

PLUS LYRE EASEL

adjustable top canvas holder bottom tray is adjustable by two wing nuts. accommodates canvases up to 72.75"h, 13.3 lbs

M32 MABEF®

GIANT FOLDING EASEL

Pivoting canvas holder can be adjusted to any angle between vertical and horizontal. Leather handle for easy carrying

M29 MABEF®

BASIC FOLDING EASEL

Pivoting canvas holder can be adjusted to any angle between vertical and horizontal

M26 MABEF FOLDING EASEL

Oiled and stain resistant beech wood, pivoting wooden panel with wing nut for easy angle adjustment and secure lock ideal for sketching & Watercolor

M22 MABEF®

SKETCH BOX EASEL

tin lined drawer with adjustable metal dividers wooden palette, leather handles, canvas up to 34 ¼” &13 lbs can be angled from vertical to horizontal forming a table.

SONOMA
SKETCH BOX EASEL

#AA13500 Fold up and store holds a canvas up to 34” Adjusts from 45° to 90°.Sliding drawer with divided compartments removable wooden palette adjustable shoulder strap w/ durable leather handle.

TESTRITE 500 CLASSIC

#25116 sturdy aluminum supports canvases up to 48" high sets up in minutes--no tools needed

STUDIO RTA PREMIER EASEL

#143451 Light-weight strong aluminum easel accommodates canvases up to 48" high tilt and height adjust ability, comes with a built-in palette holder. Fold away for easy transportation and storage.

M14 MABEF® TABLE EASEL

useful for painting or displaying, stable despite its small size (40”H x 11 ½”W) accommodate canvases up to 23 ½”

M16 MABEF®

MINIATURE STUDIO EASEL

supports canvas up to 12”

MARQUIS DESK EASEL
#AA13510 Portable storage box that converts to a table easel max canvas up to 11 x 14

ART ALTERNATIVES

RAVENNA SKETCH BOX EASEL

#AA1245 For use on any steady surface with a side drawer plus a carrying handle, locks up for travel, folded dimensions

16” x 14” x 5”max canvas

height is up to 34”.

TESTRITE 180 TABLE STUDIO

#225112 Aluminum construction takes a full 24" high canvas able to carry wet paintings with wire handle. 31" open, 11 ½" front to back, 14 ½" across front legs. 31” Ht

TESTRITE 160 DELUXE

#143131 sliding track supports canvases up to 23”. Able to use in a horizontal watercolor position. Handle converts to a wet canvas carrier. 26” Ht

TESTRITE 153 VERSATILE

#225111 Aluminum accommodates panels or stretched canvas up to 20" high auto lock system allows you to carry canvases wet or dry. Opens instantly, snaps closed. 29” Ht

TESTRITE 152 TABLE EASEL

#225119 accommodates canvases up to 20” high aluminum top bracket adds extra support. 19” long when folded, 24” with top open. 25” Ht

MARIPOSA

ALUMINUM TABLE EASEL

#AA13212 Compact, light weight design. Adjustable wings extended for extra support; folds, 19½ x 3-3/4; to fit carrying case. Max canvas 24" high and 1" deep.